Steven slate drums 4 missing outputs
Finally, adjust the gain and stereo panning for each mic used on an instrument (including overhead and room mics), and route all the mics to separate channels in SSD5’s virtual mixer.Ĭlicking on the Mixer button in the GUI’s left pane reveals the Mixer on the right (with the Instrument Editor above it see Fig. And if linear ADSR curves sound too tame for your esoteric music productions and sound-design odysseys, you can also fashion nonlinear shapes. You can also delimit the highest and lowest velocities that can be triggered.Ī bypass-able ADSR allows subtle-to-dramatic shaping of an instrument’s attack, decay, sustain and release times (independently for each mic or for all mics used on the instrument at once), as well as the volume during the sustain phase. Adjust the instrument’s velocity curve to scale its dynamic response to incoming MIDI-velocity data for example, setting a value greater than 0.50 will make progressively higher velocities trigger exponentially (instead of proportionally) louder samples. Adjust the dynamic range-independently for each instrument-between soft and loud drum hits so they sit properly in your mix. 2, see the volume knobs at the center of the GUI).
Independently adjust the volume of each articulation and mic the instrument uses and the amount of bleed (for the instrument as a whole) into overhead and room mics (in Fig. To start, edit an instrument’s master volume, tuning (pitch) and polarity (flipping the phase for the entire multi-miked instrument at once). And if you have a collection of custom “one-shots” you’ve created (single samples of snare hits, for example), you can load up to 32 of these into SSD5’s Samples window (if they’re 16- or 24-bit WAV files that were recorded at 44.1 kHz sampling rate see the “Try This” sidebar).Īfter you’ve assembled your virtual drum kit, click on the Edit Instrument button in the GUI’s left pane to open a composite window to its right: Above the virtual drum kit are controls you can use to edit the sound of each kit piece in turn. You can also layer drum sounds-for example, combining two different snare multi-samples on the same kit piece-to create dense, hybrid sounds. The browser can load an entire-kit preset at once (simply double-click a kit preset), or you can drag and drop individual multi-samples into each kit piece or cell in turn you can audition multi-samples before loading them into an instrument. The graphical drum kit includes one kick, one snare (which uses alternate Snare and Rimshot modes), four toms, hi-hat and five cymbals (two crashes, one splash, one ride and one China). In lieu of working with the graphical drum kit, you can select Cells View mode to load instruments in up to 32 cells. For example, clicking on the Construct Kit button-when SSD5 is set up in Kit View mode-produces a browser in the top pane and a graphical drum kit straddled by 20 small cells for loading instruments in the bottom pane (see Fig.
#Steven slate drums 4 missing outputs pro
I reviewed v1.0.8 of the SSD5 Sampler with Digital Performer 9 (DP 9) and an 8-core Mac Pro loaded with 10 GB of RAM and running macOS 10.9.5.Ĭlicking on buttons on the left side of SSD5’s GUI brings up different windows, some split into top and bottom sections, on the right side. 1 and 2, but processed to sound like drums heard on famous hit records) and SSD5 Electronic (from SSD4). 2 (SSD3.5 sample packs, recorded with one direct and one room mic per instrument and no overhead mics), SSD5 Classic Signature (similar to Vols. The included sample library-which weighs in at 15 GB with Slate’s proprietary lossless compression-is divided into five sample packs that contain both new instruments (the highly detailed and many-layered SSD5 Deluxe 2 sample pack) and updated favorites from previous releases of Steven Slate Drums: SSD5 Deluxe 1 (the sample pack recorded for SSD4, edited to contain more layers and round-robin samples), SSD5 Classic Vol. To preclude successive drum hits having an identical sound, each velocity layer contains 12 alternate drum hits.
Many instruments are multi-miked (for example, snare drums on top and bottom), and all are recorded in 24-bit format with up to 24 velocity layers. The virtual drum plug-in includes a large sample library, intuitive sample player, more than 400 instruments (including acoustic and electronic drums and percussion) and over a thousand all-new MIDI grooves.
Steven Slate Drums 5 (SSD5) is the smashing follow-up to the critically acclaimed SSD4.